Joshua A. Talbott
Director of Technology · Kent State University · College of Sciences and Humanities

The technologist who never stopped building.

Dish pits and country-club kitchens. Soldering benches and broadcast trucks. Live newscasts, server racks, and a multicloud research environment. For nearly three decades Joshua A. Talbott has followed his curiosity through an improbable number of jobs — and the thread tying them together has always been the same: he'd rather build the thing than just talk about it.

0+
Years at Kent State
Director
of Technology · S&H
13
Age of his first job
Founder
VUEMesh · TuTTi Bar™
Scroll — it starts in a dish pit at thirteen
01 — Origin

It started in a dish pit.

AGE 13 · GREEN, OHIO

At thirteen, Joshua was washing glasses behind the bar at his dad's restaurant — and already learning the lesson that would shape everything: do the work in front of you, then make it better.

The place was Green Gables, in Green, Ohio. He started as the dishwasher and didn't stay one for long. He tapped kegs and helped throw the parties, ran fish fries and set up for the bands, drifted onto the line to build salad bars and sandwiches, breaded the chicken, cut the fries, and made the coleslaw. When something on the building broke, he fixed it. When it snowed, he salted the walks. He mowed the grass. He was thirteen.

His parents were divorced, so the work doubled. At his mom's he picked up a second restaurant job next door, at the Town Crier in Norton — more dishwashing, more prep, more catering. By seventeen he'd graduated to the kitchens of Silver Lake Country Club: prep cook and breakfast cook, carving stations in a coat and tie, hundred-plate weddings, walk-in coolers, and yes, climbing into the dumpster to compact the trash. At eighteen he was out on his own and paying rent. Nothing about the work was glamorous. All of it taught him how to show up, figure it out, and finish.

The arc

One lifetime. A dozen careers.

Tap any chapter to open it. From restaurant kitchens to broadcast trucks to a director's chair — the throughline was never a single job. It was a refusal to stop learning.

TAP TO EXPAND
02 — Leadership

Technology is only as good as the people it serves.

SCOPE · A COLLEGE

Twenty-one-plus departments. Nineteen-plus buildings. The entire span of the liberal arts — and a Director who can sit with any of those faculty and talk competently about their software, their data, and their work. Running technology here isn't about owning the newest hardware. It's about clearing the path so research happens, teaching lands, and a student's first idea doesn't die waiting for a login to work.

🧮
Research computing

HPC, and a path to R1

An early advocate for Open OnDemand as the shared language for high-performance computing — building the servers, storage, and custom solutions for research that helped push the university to R1 status, often as the only person doing it.

☁️
Infrastructure

Multicloud, on his terms

Rebuilt a tangle of inherited systems into a clean hub-and-spoke design across Azure, AWS, and on-prem data centers — virtual desktops, research storage, and the backbone that just has to work.

🗺️
Operating model

Central oversight, zoned delivery

He split a sprawling campus into east, center, and west — local problem-solving under one strategy. The college eventually remodeled its whole administration around the approach.

🎟️
Service

From inboxes to one front door

Led the move to a real ticketing system — SLAs, dashboards, and shared group queues in place of a dozen private inboxes — so nothing sits unseen and the team meets every week on the same page.

⚖️
Equity

Support that reaches everyone

The problem he most wanted to solve: closing the gap so a small department gets the same care as a large one. No building left to fend for itself.

🤝
People

Growing students into careers

He leads full-time staff and student employees alike — and treats the students as the point, not the labor. A lot of technology careers quietly started in his shop.

03 — Artificial Intelligence

The goal was never to replace people. It was to give them leverage.

HANDS-ON · NOT HYPE

Joshua was chasing algorithmic editing back when "AI" wasn't a phrase anyone used at a bar. He's never been interested in the hype cycle — only in the same question he asks of every new tool: what can a person now do that they couldn't yesterday? Then he goes and builds the answer.

Ahead of the curve

VUEMesh — editing before AI

Around 2011, watching a crowd film the same moment from a dozen phones, he had the idea: stitch and edit footage automatically from multiple camera feeds. He built a working proof of concept and a mobile app — algorithmic editing, years before the tools to make it easy existed.

A real tool

He wrote his own patents with it

When it came time to file the patent and trademark for TuTTi Bar, he used AI to draft them himself — and got them through. Provable, public, and exactly the kind of leverage he means: a tool that lets one person do what used to take a team.

Automation

Code that runs the room

Long before "agents," he wrote Python to automate an entire TV control room — programming and scheduling so the technology ran like a well-oiled machine and freed his staff from operational tedium.

Hands-on

Experiments in the open

Running, breaking, and rebuilding open-source models and tools — speech, language, translation — to know firsthand where the capability is genuinely real and where it's still smoke.

04 — Ventures

Most people consume ideas. He ships them.

DESIGNED · TESTED · TRADEMARKED
Flagship product
TuTTi Bar

A bracket for mounting a Bluetooth speaker on your handlebars — born from a simple gripe that nobody made a good one. So he made a good one. Idea sketched, form designed, prototype 3D-printed, fit tested on real rides, brand built, and the patent and trademark applications written by him, using AI, and filed himself. It's real, it's protected, and it's out there on a shelf in a local bike shop — still waiting for the world to catch on.

  • 01Design
  • 02Prototype
  • 033D print
  • 04Test
  • 05Brand
  • 06Trademark
  • 07Manufacture
Visit tuttibar.com
GLB · TB-001 DRAG TO SPIN · Ø REVISIONS UNTIL IT FIT
🎥
The big swing

VUEMesh

His most ambitious venture: automatic, algorithm-driven editing from many camera feeds — conceived at a Vegas broadcast conference around 2011. He built the proof of concept and the app, and pitched it to venture capitalists, from a ballpark's heavy-hitters room to the folks at GoPro. Early, ambitious, and ahead of its time.

vuemesh.com →
🧪
The honest part

And the ones that didn't fly

Not every idea sells. A power-washing business with his dad, a few others that never left the bench, a bracket the world hasn't bought yet. He builds them anyway — because the prototype is the argument, and you learn the most from the ones that don't work.

⚙️
Umbrella

Duh Industries

The creative-technology banner over the experiments that don't fit a job description — where hardware, software, sound, and story get to collide and see what survives.

Yes, all three are real domains. Obviously.
05 — Teaching

He never set out to profess. He just kept being handed a classroom.

JOURNALISM · FILM · MAKING · CODE

For the better part of a decade — much of it before his own master's was even finished — Joshua taught. Not one subject, but whatever the moment needed: how to shoot a story, how to cut a film, how to wire data to a map, how to drive a mill, how to make art out of code. The assignment never really changed from the one he gives himself. Don't just explain the tool. Put it in someone's hands and stay beside them until they've made something real.

🎥
School of Journalism

Videography Basics I & II

His first courses, taught while working on his master's — an intro section and an advanced one. Shooting, recording, editing, producing: the whole pipeline of turning a camera and an idea into a finished piece of video, handed to students one fundamental at a time.

🎞️
Certified instructor

Avid Media Composer certification

He earned his credential as an Avid Certified Instructor and ran the certification course in the editing platform the industry actually uses — students walked out certified or not. He carried the Avid ISIS storage certification too, supporting the shared system the department used for collaborative, feature-length film production alongside Dave Smeltzer's digital-media ambitions.

✂️
Co-taught with Dave Smeltzer

Cutting a feature, together

A cinema-editing course built around Research, The Musical — a student-produced film shot and edited from the ground up. Scenes and sequences were farmed out to editors across the room; his job was to stitch every storyboard into one continuous picture. It ended, as it should, with a real premiere.

🌐
Co-taught with Jacqueline Marino

Web Programming for Multimedia Journalism

He took the course first — his face even landed on Kent State's front page from a class photo — then taught the technical half the next year. The stack was a Python/Django app that scraped the web for geolocation tags and plotted them on a map; he built a YouTube layer that pinned public videos around campus. The class turned that machinery into a deeply reported piece on suicide prevention and awareness — serious public-interest storytelling that earned its own opening event and local coverage.

🏭
College of Technology

Computer-Aided Manufacturing

Brought in by colleague Bryan Molnar to co-design the pedagogy and LMS, he taught CAM and CNC — drawing, G-code, and the move from screen to floor. Students proved their programs in the simulator lab he ran, then walked them over to industrial-sized mills and watched the code become metal.

🎨
Emerging Media & Technology

Creative Coding

Co-taught with Ava Aviva Avnisan, this was code as a medium — every concept, assignment, and demo living inside the p5.js editor. He delivered it online through the hard COVID pivot, then again in person at the new DI Hub, projecting student work onto the wraparound BLANK lab cave he built so makers could stand inside their own pieces. Critique ran on Liz Lerman's Critical Response Process — methodical, Socratic, and kind. It's still the kind of class he'd most want to teach again.

06 — Creative Work

The same hands that wire a server tune a guitar.

SOUND · IMAGE · STORY

Engineering and art were never opposites to Joshua — they're the same impulse pointed in different directions. The hands that lay out a circuit board, run a live newscast, and write an app for kids are the same hands that pick up a guitar. Both jobs are about making something out of nothing, and caring how it lands for the person on the other side.

📺
Broadcast

Live television, every night

Years of news, sports, music, and entertainment shows — directing, switching, shading cameras, cutting replay from a truck. Folk Alley music sessions, a county newscast, even live election coverage. Storytelling under a clock, with no second takes.

🎸
Music

A musician, not just an engineer

Bands at the restaurant, radio at Black Squirrel, a guitar always within reach, and a voice he keeps in training. Music has run quietly under the whole story — and the mentor who taught him to code was a musician too.

✏️
Software with heart

Energetic Alpha

An app that teaches kids to trace their letters — solving the gnarly geometry of tracking a child's finger against a custom font, then hiding all of it behind something simple and fun. Beautiful, released, and genuinely useful.

🕹️
Interactive

Experiences you can touch

Interactive pieces — like the one you're reading right now — where code becomes the medium and the audience gets to move through the story themselves.

A spectrum of disciplines

Not one thing, done loudly. Many things, done with care.

TechnologyThe native language
EngineeringMake it real
DesignMake it considered
EducationPass it on
MusicMake it feel
EntrepreneurshipShip it
StorytellingMake it matter
Explore — Live work

Don't take his word for it. Go walk through it.

FIVE LIVE PROJECTS

Some things only make sense once you can move through them yourself. Five builds you can open right now — an immersive WebGL world, a hand-scanned sculpture brought back into the browser, a working livestream hub running on real signage, a scroll-through field guide to building your own AI cloud, and a tool that moves files between devices using nothing but light.

Want to see how it's built? The Optical Data Bridge source is open at github.com/jtalbott22/optical-data-bridge ↗ — more on his GitHub.

Open work — Wildfire response

Nearly every catastrophic fire was once a small fire.

PUBLISHED OPENLY

Detection has essentially been solved — satellites and camera networks now find ignitions within minutes. What's missing is the response layer sized to that feed. This is an open concept for one: autonomous suppression aircraft staged at regional airports, launched automatically the moment a verified ignition arrives, with Ohio as the proof of concept.

It's published here for two reasons. To teach — the paper and the simulator are meant to make the containment-window problem legible to students, engineers, and public officials who've never had to think in gallons-per-minute-per-dollar. And to provoke — this is not a product, a pitch, or a company. It's a worked argument, put in the open so someone better positioned can take it further. Borrow it, argue with it, build it.

Independent work, offered in a personal capacity — not a proposal from or an endorsement by any employer or agency. Figures in the simulator are illustrative, drawn from published sources, and meant for teaching rather than operational planning. Corrections and collaborators welcome.

07 — Off the clock

Curiosity doesn't keep office hours.

🚴
CyclingMiles to think
🏋️
FitnessDiscipline as practice
🎸
GuitarAlways one more chord
🎙️
Voice trainingAn instrument too
🎵
MusicMade, not just heard
📚
LearningThe lifelong habit
🧑‍🏫
TeachingKnowing by sharing
🛰️
Emerging techFirst in line to tinker
I've always been less interested in technology itself than in what people can create with it.
— Joshua A. Talbott
08 — Legacy

Titles fade. What you build for people stays.

Ask Joshua what he's proudest of and the answer won't be a title or a product line. When his family grew, he walked away from the TV studio he loved because it couldn't support them — proof that he already knew what mattered most. Companies pivot. Technology gets replaced on a schedule. What lasts are the people he's helped into a career, the family he's building a life with, and the small proof — repeated thousands of times — that a problem can be solved if someone cares enough to try.

That's the real inheritance he's working on: not a résumé, but a way of moving through the world. Stay curious. Build instead of complain. Leave the people and the place a little more capable than you found them. For his family and his community, that's worth more than any line on a CV.

For familyA model of curiosity and follow-through — and proof that you can make both a living and a life out of the things you genuinely love.
For studentsA first real job, a mentor, and a launchpad — the way a NASA programmer once was for him. A lot of technology careers quietly started in his shop.
For communityTools, products, and fixes — from a kids' learning app to a bike bracket — that make everyday life a measure easier.
For the workA standard: technology should always serve the human, never the other way around.