Joshua A. Talbott
Director of Technology · Kent State University · College of Sciences and Humanities

The technologist who never stopped building.

Dish pits and country-club kitchens. Soldering benches and broadcast trucks. Live newscasts, server racks, and a multicloud research environment. For nearly three decades Joshua A. Talbott has followed his curiosity through an improbable number of jobs — and the thread tying them together has always been the same: he'd rather build the thing than just talk about it.

0+
Years at Kent State
Director
of Technology · S&H
13
Age of his first job
Founder
VUEMesh · TuTTi Bar™
Scroll — it starts in a dish pit at thirteen
01 — Origin

It started in a dish pit.

AGE 13 · GREEN, OHIO

At thirteen, Joshua was washing glasses behind the bar at his dad's restaurant — and already learning the lesson that would shape everything: do the work in front of you, then make it better.

The place was Green Gables, in Green, Ohio. He started as the dishwasher and didn't stay one for long. He tapped kegs and helped throw the parties, ran fish fries and set up for the bands, drifted onto the line to build salad bars and sandwiches, breaded the chicken, cut the fries, and made the coleslaw. When something on the building broke, he fixed it. When it snowed, he salted the walks. He mowed the grass. He was thirteen.

His parents were divorced, so the work doubled. At his mom's he picked up a second restaurant job next door, at the Town Crier in Norton — more dishwashing, more prep, more catering. By seventeen he'd graduated to the kitchens of Silver Lake Country Club: prep cook and breakfast cook, carving stations in a coat and tie, hundred-plate weddings, walk-in coolers, and yes, climbing into the dumpster to compact the trash. At eighteen he was out on his own and paying rent. Nothing about the work was glamorous. All of it taught him how to show up, figure it out, and finish.

The arc

One lifetime. A dozen careers.

Tap any chapter to open it. From restaurant kitchens to broadcast trucks to a director's chair — the throughline was never a single job. It was a refusal to stop learning.

TAP TO EXPAND

His first job, at his dad's restaurant in Green, Ohio. Dishwasher, then keg-tapper, line cook, fish-fry runner, building-fixer, grass-mower, sidewalk-salter. The unglamorous education in showing up and finishing the job — the foundation everything else is built on.

A second job next door at the Town Crier in Norton, then the kitchens of Silver Lake Country Club — prep and breakfast cook, carving stations in a coat and tie, hundred-plate weddings, walk-in coolers, dumpster duty. At eighteen, out on his own and paying his own rent.

Vocational electronics at Kent Roosevelt put analog, digital, and integrated circuits in his hands at the lowest level. For fun, he built a relay-router "clicky box" from 555 timers to switch the neon and stereo in his car. The builder instinct, fully formed before graduation.

Into the building where music, theater, journalism, and broadcast all converged. He soldered and patched thousands of connections — video, audio, data, control — drew the systems in AutoCAD, and taught himself AMX control programming. A mentor who'd written code for NASA started him on assembly and software.

Designing liquid-crystal eyewear: hand-laying vias and traces, programming PIC microcontrollers in raw assembly back before friendly compilers existed, soldering prototype boards small enough to live in the temple of a pair of glasses. He built a magnetic lithium-ion clip-on charger that was years ahead of its moment — then turned down a full-time offer to keep building at Kent State.

The university libraries gave him his start in IT support. Active Directory, group policy, file shares, software deployment — and a pager that sent him running toward every fire on campus. The beginning of the IT career that would eventually take over everything.

Thousands of feet of cable from the truck to the field. College football and basketball replay across the Midwest — some of it on ESPN3 — plus cage-fight MMA and live televised weddings. Replay op, technical director, camera shader, CG, audio, sometimes director. Whatever the show needed, he could be. (He also turned down a job wiring the LED scoreboard in the Cavs' arena.)

Handed a brand-new, all-digital television studio — before it was actually a television studio. He came in while it was being commissioned, working the as-builts with the integrators and learning every signal path as it was turned up, because a room like that can't make anyone look good until the people in it are fluent in it. Then it ran: three-to-five shows a day, a nightly live newscast for the county, even live election coverage. He wrote Python to automate the control room and rigged Skype-over-4G live shots with homemade mic and IFB cables. He ran all of it for the better part of seven years.

Fluent meant fluent in all of it, because he was the one they called for literally everything. A Grass Valley Kayak switcher and a Chyron graphics system, learned intimately enough to make them look effortless on air. K2 media servers with formats of their own — so he stood up servers in front of them for the editors to hit, and let the media transcode correctly on its way to tape. PESA routers moving SDI video and audio. A replay rig built out of Sony decks and jog-wheel controllers. AppleScript apps so a Mac would talk to the whole plant and nobody had to go hunting for camera-card files, and Python running on triggers to push finished shows wherever they belonged after air. Then fiber pulled between Franklin Hall and the MAC Center, which turned a student control room into a master control for live sports across campus — built alongside Teleproductions, with him spearheading most of the effort to get it working.

The room itself was the tail end of a $22 million rebuild — Franklin Hall, a 1926 building gutted into a convergence newsroom where the student paper, TV2, and Black Squirrel Radio all filed into one operation, better than $4 million of it in technology alone: an all-digital studio, a 3-D virtual set few college stations anywhere were running live, and the wiring under all of it. Kent State Magazine put the place on its cover in Summer 2008 (opens in a new tab) — a year after the doors opened, once the room had stopped being a construction project and started being a television station. He's the one who kept it on the air.

When Uber switched on in Akron in late summer 2014, he was already behind the wheel — a blue 2014 Ford Fusion, tinted windows and neon lights, ferrying riders to clubs, bars, and every kind of shenanigan in between. A year and a half of extra money, great stories, and a few genuinely scary ones. Then a couple of tax seasons ran the real math on the deal, and he parked it. He kept the stories.

With a family to support, he moved fully into IT for a college — and made it anything but ordinary. He taught himself the learning-management system and supported every faculty member on it, digitized a speech course thousands of students took (cameras to Kaltura to graded online), imaged labs, fixed a museum's kiosks, and built Energetic Alpha, an app that teaches kids to trace their letters.

From his master's onward, he kept being handed a classroom — and kept saying yes. Videography and Avid certification in journalism; a student feature film he helped cut into a whole; Python-and-Django web programming for multimedia storytelling; computer-aided manufacturing at the mills; and creative coding in a projection cave he built himself. Six-plus courses across four disciplines, all teaching the same thing: put the tool in someone's hands and help them make something real.

Nine years leading IT for 21+ departments across 19+ buildings — the whole span of the liberal arts. He cleared years of technical debt, championed HPC and Open OnDemand, built a multicloud, hub-and-spoke environment, and supported the research that helped push the university to R1. He built the LIBERTAS Liberty-statue project. Serves on several committees and champions process changes.

02 — Leadership

Technology is only as good as the people it serves.

SCOPE · A COLLEGE

Twenty-one-plus departments. Nineteen-plus buildings. The entire span of the liberal arts — and a Director who can sit with any of those faculty and talk competently about their software, their data, and their work. Running technology here isn't about owning the newest hardware. It's about clearing the path so research happens, teaching lands, and a student's first idea doesn't die waiting for a login to work.

Research computing

HPC, and a path to R1

An early advocate for Open OnDemand as the shared language for high-performance computing — building the servers, storage, and custom solutions for research that helped push the university to R1 status, often as the only person doing it.

Infrastructure

Multicloud, on his terms

Rebuilt a tangle of inherited systems into a clean hub-and-spoke design across Azure, AWS, and on-prem data centers — virtual desktops, research storage, and the backbone that just has to work.

Operating model

Central oversight, zoned delivery

He split a sprawling campus into east, center, and west — local problem-solving under one strategy. The college eventually remodeled its whole administration around the approach.

Service

From inboxes to one front door

Led the move to a real ticketing system — SLAs, dashboards, and shared group queues in place of a dozen private inboxes — so nothing sits unseen and the team meets every week on the same page.

Equity

Support that reaches everyone

The problem he most wanted to solve: closing the gap so a small department gets the same care as a large one. No building left to fend for itself.

People

Growing students into careers

He leads full-time staff and student employees alike — and treats the students as the point, not the labor. A lot of technology careers quietly started in his shop.

03 — Artificial Intelligence

The goal was never to replace people. It was to give them leverage.

HANDS-ON · NOT HYPE

Joshua was chasing algorithmic editing back when "AI" wasn't a phrase anyone used at a bar. He's never been interested in the hype cycle — only in the same question he asks of every new tool: what can a person now do that they couldn't yesterday? Then he goes and builds the answer.

Ahead of the curve

VUEMesh — editing before AI

Around 2011, watching a crowd film the same moment from a dozen phones, he had the idea: stitch and edit footage automatically from multiple camera feeds. He built a working proof of concept and a mobile app — algorithmic editing, years before the tools to make it easy existed.

A real tool

He wrote his own patents with it

When it came time to file the patent and trademark for TuTTi Bar, he used AI to draft them himself — and got them through. Provable, public, and exactly the kind of leverage he means: a tool that lets one person do what used to take a team.

Automation

Code that runs the room

Long before "agents," he wrote Python to automate an entire TV control room — programming and scheduling so the technology ran like a well-oiled machine and freed his staff from operational tedium.

Hands-on

Experiments in the open

Running, breaking, and rebuilding open-source models and tools — speech, language, translation — to know firsthand where the capability is genuinely real and where it's still smoke.

04 — Ventures

Most people consume ideas. He ships them.

DESIGNED · TESTED · TRADEMARKED
Flagship product
TuTTi Bar

A bracket for mounting a Bluetooth speaker on your handlebars — born from a simple gripe that nobody made a good one. So he made a good one. Idea sketched, form designed, prototype 3D-printed, fit tested on real rides, brand built, and the patent and trademark applications written by him, using AI, and filed himself. It's real, it's protected, and it's out there on a shelf in a local bike shop — still waiting for the world to catch on.

  • 01Design
  • 02Prototype
  • 033D print
  • 04Test
  • 05Brand
  • 06Trademark
  • 07Manufacture
Visit tuttibar.com (opens in a new tab)
The big swing

VUEMesh

His most ambitious venture: automatic, algorithm-driven editing from many camera feeds — conceived at a Vegas broadcast conference around 2011. He built the proof of concept and the app, and pitched it to venture capitalists, from a ballpark's heavy-hitters room to the folks at GoPro. Early, ambitious, and ahead of its time.

vuemesh.com (opens in a new tab)
The honest part

And the ones that didn't fly

Not every idea sells. A power-washing business with his dad, a few others that never left the bench, a bracket the world hasn't bought yet. He builds them anyway — because the prototype is the argument, and you learn the most from the ones that don't work.

Umbrella

Duh Industries

The creative-technology banner over the experiments that don't fit a job description — where hardware, software, sound, and story get to collide and see what survives.

Yes, all three are real domains. Obviously.
05 — Teaching

He never set out to profess. He just kept being handed a classroom.

JOURNALISM · FILM · MAKING · CODE

For the better part of a decade — much of it before his own master's was even finished — Joshua taught. Not one subject, but whatever the moment needed: how to shoot a story, how to cut a film, how to wire data to a map, how to drive a mill, how to make art out of code. The assignment never really changed from the one he gives himself. Don't just explain the tool. Put it in someone's hands and stay beside them until they've made something real.

School of Journalism

Videography Basics I & II

His first courses, taught while working on his master's — an intro section and an advanced one. Shooting, recording, editing, producing: the whole pipeline of turning a camera and an idea into a finished piece of video, handed to students one fundamental at a time.

Certified instructor

Avid Media Composer certification

He earned his credential as an Avid Certified Instructor and ran the certification course in the editing platform the industry actually uses — students walked out certified or not. He carried the Avid ISIS storage certification too, supporting the shared system the department used for collaborative, feature-length film production alongside Dave Smeltzer's digital-media ambitions.

Co-taught with Dave Smeltzer

Cutting a feature, together

A cinema-editing course built around Research, The Musical — a student-produced film shot and edited from the ground up. Scenes and sequences were farmed out to editors across the room; his job was to stitch every storyboard into one continuous picture. It ended, as it should, with a real premiere.

Co-taught with Jacqueline Marino

Web Programming for Multimedia Journalism

He took the course first — his face even landed on Kent State's front page from a class photo — then taught the technical half the next year. The stack was a Python/Django app that scraped the web for geolocation tags and plotted them on a map; he built a YouTube layer that pinned public videos around campus. The class turned that machinery into a deeply reported piece on suicide prevention and awareness — serious public-interest storytelling that earned its own opening event and local coverage.

College of Technology

Computer-Aided Manufacturing

Brought in by colleague Bryan Molnar to co-design the pedagogy and LMS, he taught CAM and CNC — drawing, G-code, and the move from screen to floor. Students proved their programs in the simulator lab he ran, then walked them over to industrial-sized mills and watched the code become metal.

Emerging Media & Technology

Creative Coding

Co-taught with Ava Aviva Avnisan, this was code as a medium — every concept, assignment, and demo living inside the p5.js editor. He delivered it online through the hard COVID pivot, then again in person at the new DI Hub, projecting student work onto the wraparound BLANK lab cave he built so makers could stand inside their own pieces. Critique ran on Liz Lerman's Critical Response Process — methodical, Socratic, and kind. It's still the kind of class he'd most want to teach again.

06 — Creative Work

The same hands that wire a server tune a guitar.

SOUND · IMAGE · STORY

Engineering and art were never opposites to Joshua — they're the same impulse pointed in different directions. The hands that lay out a circuit board, run a live newscast, and write an app for kids are the same hands that pick up a guitar. Both jobs are about making something out of nothing, and caring how it lands for the person on the other side.

Broadcast

Live television, every night

Years of news, sports, music, and entertainment shows — directing, switching, shading cameras, cutting replay from a truck. Folk Alley music sessions, a county newscast, even live election coverage. Storytelling under a clock, with no second takes.

Two tours with Kent State's student media — 2002 to 2005, then 2007 until he moved into IT in 2013 — spent automating the facility until a student crew could put several live-to-air shows on the air in a single day. The trophies belong to the students, but that was the room they came out of: TV2 won the College Media Association's Pinnacle for TV Station of the Year in both 2012 and 2013, and its satire show The Agenda took Best TV Entertainment Program in 2013.

Music

A musician, not just an engineer

Bands at the restaurant, radio at Black Squirrel, a guitar always within reach, and a voice he keeps in training. Music has run quietly under the whole story — and the mentor who taught him to code was a musician too. It runs the other way as well: tired of tuners buried in ads, he wrote his own, and the piano he wanted to learn became an app that listens while he plays — as did the voice he keeps in training.

Software with heart

Energetic Alpha

An app that teaches kids to trace their letters — solving the gnarly geometry of tracking a child's finger against a custom font, then hiding all of it behind something simple and fun. Written in native Objective-C and released for iPad in 2018, right as the Apple Pencil arrived on the everyday iPad and a fingertip stopped being the only way to write on a screen. Beautiful, released, and genuinely useful.

Two more followed for the same studio: Energetic Numbers and Cosmic Cursive, an alien postal route where kids deliver mail in cursive. Those were authored in Unity by another team, with the same design minds at Lucy Junior behind the creations — and he took them the last mile as the compiler, debugger, and publisher, running quality control and shipping to both the App Store and Google Play. That regularly meant climbing back into the Unity project himself to swap assets and fix the things a build won't forgive.

Interactive

Experiences you can touch

Interactive pieces — like the one you're reading right now — where code becomes the medium and the audience gets to move through the story themselves.

A spectrum of disciplines

Not one thing, done loudly. Many things, done with care.

TechnologyThe native language
EngineeringMake it real
DesignMake it considered
EducationPass it on
MusicMake it feel
EntrepreneurshipShip it
StorytellingMake it matter
Explore — Live work

Don't take his word for it. Go walk through it.

NINE LIVE PROJECTS

Some things only make sense once you can move through them yourself. Eight builds you can open right now — an immersive WebGL world, a hand-scanned sculpture brought back into the browser, a working livestream hub running on real signage, a scroll-through field guide to building your own AI cloud, a tool that moves files between devices using nothing but light, a guitar tuner with no ads in sight, a piano teacher that listens while you play, a voice coach that draws your pitch as you sing, and a reading experiment that says one thing in six vocabularies.

Immersive · Three.js / WebGL

POLYSENSE

A navigable, first-person portfolio experience — move through "realms," each one a different layer of reality. Code as a medium you can step inside.

Enter the experience
Maker · 3D scan & print

LIBERTAS

A Florentine Liberty sculpture, 3D-scanned and reprinted, exhibited at Kent State and Ellis Island. The full maker's story, from point cloud to finished piece.

Open the project
App · Live signage

Rise Vision Livestreams

A multi-layout YouTube livestream hub built for Kent State's digital signage — host and client synced over Socket.IO, multi-tile layouts, and mobile joiners, all in one page.

Launch the hub
Guide · Local AI

Zero to Hero: A Local AI Stack

A ten-step field guide to building a private AI cloud on one machine — chat, images, agents, code execution, search, and scraping, all self-hosted on a Dell GB10 with no subscriptions and no data leaving the box.

Read the field guide
App · Optical file transfer

Optical Data Bridge

Move files between devices with nothing but light. Animated QR codes carry the data from screen to camera — with an adaptive rate controller, integrity checks, and resumable transfers. No network, no cables, no accounts.

Open the bridge
App · Pitch detection

Guitar Tuner

Open it, pick a tuning, tune, done — no ads, no account, no app store. It hears which string you're on and locks to it, then draws your pitch as a flowing line instead of a twitching needle, so you can see the drift and settle into it. Standard, twelve-string, half-step down, and the drop tunings.

Tune up
App · Learn by ear

Piano Tutor

Notes fall toward a keyboard you can resize to whatever piano you own, and the song waits — listening through the microphone — until you actually play the right one. Scrolling notation, an optional fingering overlay, a freestyle mode that names what you're playing, and a recorder that turns a pecked-out melody back into a song.

Sit down at the keys
App · Sing on pitch

Voice Tutor

The same idea as the tuner, pointed at the hardest instrument to see yourself play. Your voice is traced in real time against the notes coming toward you, with the words cued in time to sing them, so you can watch where the pitch drifts instead of guessing. Bring your own song in, take your take out.

Warm up
App · Language & reading

Transpose

Paste anything and read it back at six vocabularies — the same meaning, changed for the reader instead of the sentence. It's an argument made by demonstration: every book you read hands you more precise words, and precise words are what let you hold a harder idea steady. Watch a paragraph climb the ladder and you can see comprehension being built.

Change the reader

Want to see how it's built? The Optical Data Bridge source is open at github.com/jtalbott22/optical-data-bridge (opens in a new tab) — more on his GitHub (opens in a new tab).

Open work — Wildfire response

Nearly every catastrophic fire was once a small fire.

PUBLISHED OPENLY

Detection has essentially been solved — satellites and camera networks now find ignitions within minutes. What's missing is the response layer sized to that feed. This is an open concept for one: autonomous suppression aircraft staged at regional airports, launched automatically the moment a verified ignition arrives, with Ohio as the proof of concept.

It's published here for two reasons. To teach — the paper and the simulator are meant to make the containment-window problem legible to students, engineers, and public officials who've never had to think in gallons-per-minute-per-dollar. And to provoke — this is not a product, a pitch, or a company. It's a worked argument, put in the open so someone better positioned can take it further. Borrow it, argue with it, build it.

Independent work, offered in a personal capacity — not a proposal from or an endorsement by any employer or agency. Figures in the simulator are illustrative, drawn from published sources, and meant for teaching rather than operational planning. Corrections and collaborators welcome.

07 — Off the clock

Curiosity doesn't keep office hours.

CyclingMiles to think
FitnessDiscipline as practice
GuitarAlways one more chord
Voice trainingAn instrument too
MusicMade, not just heard
LearningThe lifelong habit
TeachingKnowing by sharing
Emerging techFirst in line to tinker
I've always been less interested in technology itself than in what people can create with it.
— Joshua A. Talbott
08 — Legacy

Titles fade. What you build for people stays.

Ask Joshua what he's proudest of and the answer won't be a title or a product line. When his family grew, he walked away from the TV studio he loved because it couldn't support them — proof that he already knew what mattered most. Companies pivot. Technology gets replaced on a schedule. What lasts are the people he's helped into a career, the family he's building a life with, and the small proof — repeated thousands of times — that a problem can be solved if someone cares enough to try.

That's the real inheritance he's working on: not a résumé, but a way of moving through the world. Stay curious. Build instead of complain. Leave the people and the place a little more capable than you found them. For his family and his community, that's worth more than any line on a CV.

For familyA model of curiosity and follow-through — and proof that you can make both a living and a life out of the things you genuinely love.
For studentsA first real job, a mentor, and a launchpad — the way a NASA programmer once was for him. A lot of technology careers quietly started in his shop.
For communityTools, products, and fixes — from a kids' learning app to a bike bracket — that make everyday life a measure easier.
For the workA standard: technology should always serve the human, never the other way around.